Glenn Fabry’s artwork has defined the visual identity of some of the most important British and American comic book series of the past few decades. An Eisner Award winner, the British artist is renowned for his striking realism and extraordinary attention to detail, whether working in traditional ink or creating richly painted cover art.

His professional career began in 1985 alongside writer Pat Mills, illustrating Sláine for the British anthology 2000 AD, a collaboration that continued two years later with the daily newspaper strip Scatha.

During the second half of the 1980s, he produced numerous covers for publications such as Revolver, Crisis, Deadline, and A1, the latter published under Marvel Comics’ Epic Comics imprint. These works established the distinctive visual style that would soon attract the attention of the American comics industry.

In 1991, Fabry entered one of the defining periods of his career when he became the regular cover artist for Hellblazer during Garth Ennis’ celebrated run on the series. Their collaboration continued on Preacher, widely regarded as Fabry’s signature work and one of the landmark titles published by Vertigo during the 1990s.

His creative partnership with Ennis continued for years on projects including The Authority, Spider-Man’s Tangled Web, and Thor: Vikings, forming one of the most acclaimed writer-artist collaborations in modern comics.

From the 2000s onward, Fabry continued to expand his impressive body of work with projects including a story for The Sandman: Endless Nights, the graphic novel adaptation of Neil Gaiman’s Neverwhere, written by Mike Carey, the series Greatest Hits, LOT 13, the covers for Predator vs. Judge Dredd vs. Aliens, and another collaboration with Neil Gaiman on American Gods.

At San Diego Comic-Con Málaga 2026, you’ll have the opportunity to meet one of the most influential cover artists in modern comics, whose work has helped shape the visual identity of some of the medium’s most iconic series over the past several decades.